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主演:
法利·格兰杰,阿莉达·瓦利,马西莫·吉洛蒂,海因茨·穆格,里娜·莫雷利,克里斯蒂安·马康,赛尔乔·凡托尼,迪诺·比安奇,恩斯特·纳德尔尼,托尼奥·塞拉沃特,马切拉·马里亚尼,弗兰科·奥卡利,AldoBajocchi,OttoneCandiani,南特·切西罗,ClaudioCoppetti,CristoforoDeHartungen,TonyDiMitri,EugenioIncisivo,MarianneLeibl,让-皮埃尔·莫基,SpartacoNale,IvyNicholson
上映:
1954
备注
HD
类型:
电影
剧情:
  这部极为豪华的古装剧以1866年春天,意大利和奥地利发生冲突前夕为历史背景。描写了一名意大利贵族妇女Countess Serpieri  ,背叛自己的婚姻和国家,不顾一切爱上了俊美而乖戾的奥地利军官Lieutenant Franz Mahler,两人爱得轰轰烈烈,但时代已经发生巨变,最终酿成悲剧。…

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1925 其他
造物的奇迹
MargareteSchönTheodorLoosPaulBildt
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.…
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